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The Antimatter Factory, group show at Gallery Scotty Enterprises Berlin
10 April -9 May 2015
Oranienstrasse 46, 10969 Berlin Kreuzberg
https://www.facebook.com/ScottyEnterprisesBerlinChristine Niehoff, Inés Rebelo, Rose Stevens, Anne Wölk
opening Friday, April 10


Installation view, Scotty Enterprises Berlin 
Installation view, Scotty Enterprises Berlin 
Phantasmagoria in two, 2013, oil, acrylic and aerosol on canvas, 170 x 118,5 cm, 66.9 x 46.7 inch 
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Interview Articulation Magazine
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Art Revolution Taipei 2014

16.04.2014-20.04.2014 Art Revolution Taipeh http://www.arts.org.tw/ 11F, No.167, Sec.5, Mingsheng E. Rd. Taipeh, Taiwan Art Revolution Taipei 2014 A.R.T. International Art Competiton, Finalists Exhibition Result of the 2014 International Art Competiton artists: Jeni Bev Biktimirova, Miriam Selmi Reed, Igor Devishev, Svetlana Grecova, Cathal O Malley, Konstantin Krestiannikov, Andrey Remnev, Andrick Jean, Hoang Xuan Huong, Raj Krishna Maharjan, Krupp Stanislav, Onyis Martin, Chia Chi Wu, Sanya Arif, K.S.Kamesh, Zaynab Idrissi Khamlichi, Amalya Nane Tumanian, Rikardo Druskic, Bozidar Pesic, Victor Crisostomo Gomez, Olga Glumcher, Cebula Henryk, Sindhumathi.S, Diyou Wu, Li Hsiang Chung, Jussara Pires, Nicole Ennemoser, Md.Samiul Alam, Marzieh Rezaei, Yu-Chung Shih, Aeich Thimer, Ewa Rogalewska, Emlyne Tan, Eva Vale, Hem Jyotika, Maja Borowicz, Abiodun Ogunfowodu, Sekhar Roy, Luis Aguirre, Mocan Alexandra, Shao-Yen Chen, Rajendra Vasant Khairnar, Rizal Eka Pramana, Josef Jobst, Eric Fok, Hsiao-Chun Ou, Ayten Mungan, Wladimir Barantschikov, Tomasz Witkowski, Ching-Fong Lin, Chunrong Li, Anne Wölk, Chathuranga Biyagama, Parsharam Sutaar, Karma Loday.venue: Taipei World Trade Center, Hall 3press release:Since 2011, the Taiwan International Contemporary Artist Association has organized one of Asia’s top art contests, the International Art Competition (I.A.C.). The organizer is now combining I.A.C. together with Art Revolution Taipei (A.R.T.), the most important platform of art exchange in Taiwan, to promote individual artists to the international market. 60 outstand artworks of this extremely competitive contest will be exhibited from 17th April until the 20th 2014 at A.R.T.. All finalists will be published in the 2014 Art Revolution Taipei catalogue. The winner of this competition will get the chance to exhibit his/her artwork at the 2015 Art Revolution Taipei in a 9-meter square booth. The organizer will announce the winner of the “Gallery Award” at the preview VIP night on April 16, 2014.3,017 pieces of artworks were submitted for the 2014 International Art Competition created by artists from 70 different countries.Curated by the Taiwan International Contemporary Artist Association, GP Deva Pull-Zen International Inc. (X-Power Gallery)
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Anne Wölk Category Winner: Design in the art competition: Art Takes Paris (2013)
https://en.wikipedia.org/wiki/See.me
See.me specializes in providing online profiles that creatives can use to display, promote, and gain support for their work. The site caters to artists, photographers, musicians, designers and creative enthusiasts. Users are encouraged to share their work and show support for fellow creatives in order to gain traction for competition entries. See.me does not represent specified artists, and competition winners are shown in a digital slide show in Long Island City.ART TAKES PARIS2nd May, 2014
Art Takes Paris 2013, group show of winners and finalists,
See me exhibition space, 26-19 Jackson Ave, Long Island City, New YorkGrand Prize Winner: Layla Sailor
Category Award Winners:
Chase Jones, Thomas Jackson, Crystal Wagner, Johan Andersson, Anne Wölkgroup show of winners
and finalists, Art Takes Paris 2013,
international competition -
The Sketchbook Project, Brooklyn Art Library, New York, USA
https://www.sketchbookproject.com.
My Sketchbook will be on view atBrooklyn Night Bazaar, New YorkThe Sketchbook Project has added dates throughout December that we’ll be set up at Brooklyn Night Bazaar, a night market and concert space that is bringing together local vendors, chefs, artisans and musicians.The Mobile Library will be there to share thousands of sketchbooks from the collection, including The Fiction Project and Verse on Paper Project books, as well as selections from The Sketchbook Project 2011! Come check it out alongside awesome food, music, and activities on any of the following dates:Friday, December 6thSaturday, December 7thFriday, December 13thSaturday, December 14thFriday, December 20thSaturday, December 21st6pm – midnight nightlyMore information on Brooklyn Night Bazaar can be found at www.bkbazaar.com
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Desert Tavern Berlin
Atelierhaus Prenzlauer Promenade, Berlin Prenzlauer Promenade 149-152, 13189 Berlin, Germany curated by Malte Hagen Olbertz http://atelierhausprenzlauerpromenadeberlin.wordpress.com
FEATURED ARTISTS: Mads Dahl Pedersen, Simone Haack, Swen Daemen, Imke Rust, Owen Llewyn, Franziska Jordan, Anne Wölk, Malte Hagen Olbertz, Iwan van´t Spijker, Fabian Seyd, Johannes Rodenacker, Tomoko Mori, Matthias Pils Opening reception on Thursday, May 9, 7-9 PM!
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AFFORDABLE ART – SPACEWOMb Gallery, New York USA
group exhibition in New York, 22-48 Jackson Ave #1, Long Island City, NY 11101
4th – 24th May 2013 curated by Minjie Yoo
http://www.spacewomb.com FEATURED ARTISTS: Alexandra Henry, Alina Selezneva, Amy Cohen Banker, Anne Wölk, Anthony Smith, Benjamin Coleman, Brian Silak, Chris Perry, Daniel C. Boyer, Denise Deleray, Eric Pelka, Erin Starr, Eunjin Choi, Greg Testo, Hyemi Oh, Jamie Pearson, Jill Lear, Joan Ryan, Jongsuh Lee, Jongwang Lee, Joyce Kubat, Julia Fernandez-Pol, Jungji Lee, Kiyore, Laura Collins, Leen Yang, Lisa Gronseth, Marilyn Mitchell, Marina Heintze, Mario Lucineo, Marsha Gold Gayer, Melinda Buie, Michael McConnell, Midori Okuyama, Minjie Yoo, Nancy Mladenoff, Paula Henderson, Pauletta Chanco, Pepa, Rachel Fagiano, Richard Lund, Robyn Thomas, Saehwan Lim, Sammy Bang, Sandra Vucicevic, Sandro Del Rosario, Scott Tulay, Seunghwan Ryu, Seunghyuk Shin, Seungmee Kim, Soo & Jack, Sylvia Goldberg, Takashio Hisyasu, Teresa Getty, Torie Tiffany, Vitaly Panasyuk, Yaron Dotan, Yonghyun Yang .
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LOVE WILL DESTROY US IN THE END – Art Suites Gallery, Beyoglu-Istanbul
Groupshow Berlin Selected Artists

catalogue release, published by Art Suites Gallery April 9 – May 4 2013 Gabor A. Nagy, Adam Bota, Adam Magyar, Anne Wölk, curated by Uwe Goldenstein

installation view, Art Suites Gallery, Istanbul 
installation view, Art Suites Gallery, Istanbul Artists
GÁBOR A. NAGY (*1972, painting, lives in Berlin)
ADAM BOTA (*1976, painting, lives in Vienna and Berlin)
ADAM MAGYAR (*1972, video and photography, lives in Berlin)
ANNE WÖLK (*1982, painting, lives in Berlin)Curator Uwe Goldenstein, director of BSA – Berlin Selected Artists
“LOVE WILL DESTROY US IN THE END” is the 3rd show of BSA at Art Suites Gallery after “TECHNOLOGY WON’T SAVE US” in 2011 on the occasion of the Istanbul Biennial and a solo show of Deenesh Ghycy in 2012. For the new show curator Uwe Goldenstein will bring fresh and brilliant works of the Berlin art scene to Istanbul. The paintings of the Berlin-based artists are focussing the ambivalent relationship of the individual life with all its desires and the reality and limits of postmodern city life. Adam Magyar will present a fantastic video of Berlin Alexanderplatz Station. In a never seen slow motion technique visitors will sink into the scanned urban life.
GÁBOR A. NAGY *1972 Hajdúböszörmény (H). Lives & works in Berlin
IN AHISTORICAL ROOMS
The codified world which we inhabit no longer signifies process or becoming. It tells no stories, and inhabiting it does not mean acting. That it has ceased to mean this, is what is known as the crisis of values. For we are still largely programmed by texts – programmed for history, for science, for political programmes, for art. We read the world, for instance logically and mathematically. But the new generation, programmed by techno-images, no longer shares our values. And we don’t yet know which meaning the techno-images surrounding us are programming for. Vilém Flusser, 1978The break with history, as described by Flusser, is radically echoed by Gábor A. Nagy: in his paintings, all historical texts which we are potentially still programmed with are ultimately condemned to be meaningless. Composed of lyrical fragments, these paintings reduce the world to a black monochrome surface, upon which figures appear to float like ciphers – they have become an intangible motive. The paintings’ revocation and negation of both image background and figuration results in a general, symbolically charged sense of distance and placelessness, that suggests an ahistorical relationship to the world. The narrative context and relationships appear to loose themselves in this blackened-out environment. Thus Nagy’s images, lacking a horizon and perhaps even a space, comment on an uprooted, demystified, and hyper-technological civilisation, whose overall out-of-focus state is almost impossible to represent. Nagy rises to the challenge with comparatively archaic technical means.
ADAM BOTA *1975 Linz (A). Lives & works in Vienna
QUIET, PLEASE
Contrary to the loud nature of Punk-rock concerts — a reoccurring subject in Bota’s recent work — the scenes he renders in oils emanate a rather tranquil and reflective, yet nonetheless intense, atmosphere. With the flow of paint on canvas with his crossfades and layers, Bota captures the cathartic experience of concert-going; of people in an ecstatically charged crowd dancing uncontrolled to fast and hard beats. In Bota’s depictions the partying individual threatens to disappear within the intertwining painted areas: like grapes on a vine, he melts together with his likeminded peers and the excitement of the moment takes on a life of its own. Fragments of piled bodies appear to penetrate each other, come apart and join to create a large inseparable body-in-motion. Beneath the artificial, often sparsely utilized light, which recalls the neon in night clubs, contours cancel each other out. Adam Bota thus emphasizes the ecstatic experience of the concert. His carefully placed colors assert a complementary life of their own. They tie themselves to the forms and lead the viewer’s eye to the energetic transference that is occurring in this independent artistic sphere. The punk moment becomes a frozen leitmotif in search of disengagement from the intensity of life — be it through layersof paint or in the dark intimacy of the club.ADAM MAGYAR *1972 Debrecen (H). Lives & works in Berlin
HOW SOON IS NOW
Still, picturing the planet earth, for convenience sake, as a gigantic coffee table does in fact help clear away the clutter – those practically pointless contingencies such as gravity and the international dateline and the equator, those nagging details that arise from the spherical view.
Haruki Murakami, Hard-boiled Wonderland and the End of the WorldThe work of Adam Magyar is a tribute to the city and citizens. In his whole work he developes a unique technique that reveals new dimensions in photography. In its dynamics, Magyar’s ultimately utopistic perspective discloses ever-present but never-seen layers of the city and depicts citizens as elementary particles acting in the greater whole, embedded in their functional progress. Magyar’s Stainless series is in the focus of his new activities. The immaculate subway trains are captured in the process of slowing down: due to Magyar’s elaborate and ingenious photographic technique, the trains pulling into the station seem like still lives coated with deep and soothing black. As classic portraits, the subway trains seem sublime in their pure functionality and appear to convey a timeless and motionless peace both to the passengers and the portraits’ viewers, even when all passengers appear to be preparing themselves for their arrival in the train station.
Magyar’s series Urban Flow works with a reversed visual logic, because the process of acceleration is converted here into a process-wise visual standstill. With this – in fact – impossible space-time constellation, the citizens are the city itself, presented in all its dynamics. This way, he lends an abstract quality to the urban time-flow, and makes us stop. Therefore, the photographic moment is not only doubled and sequentially frozen but is brought to life in the standstill. So, glide over squares to see city vertigoes, stop at a crossing where everyone is rushing by or dive deep into the subway tunnels and marvel at the tranquility and beauty of life as aesthetized by Adam Magyar.
ANNE WÖLK *1982 Jena (D). Lives & works in Berlin
SYNERGETIC LANDSCAPES
In Anne Wölk’s paintings, nature is transformed into a seemingly synthetic landscape. Yet nature’s contemplative atmosphere and rich impressions are still to be found. The laws and relations at work in her painterly cosmos obey an overarching, absolute idea, that transcends the mere representation of landscape by revealing a larger-than-life, allegorical assemblage, comprising such items as birch trees, ornamental signs and geometric effects. Mysterious narratives, suggested by the presence – or deliberate absence – of seemingly relaxed figures, encounter an unspeakable, almost mystical layer of abstraction that has leaked out into nature. In this sense, Anne Wölk’s painterly fantasies can be understood as an autonomous, self-contained world that is freed from the usual laws of representation. The synergies resulting from the confrontation of nature with a layer of unnatural, formalistic commentary are not bound to any preconceived notions of enlightenment – in fact, they seek to achieve quite the opposite. To remember and reclaim nature is to cancel out the stifling layers of postmodern interpretation and digital alienation that have come to overwrite it, and offer renewed encouragement for free projections and associations. Anne Wölk raises the question as to what extent we can still access an authentic experience of nature. In this sense, the narratives in her work postulate a state of nature that is a priori autonomous, and at the same time replete with technology.All texts by Uwe Goldenstein
gallery: http://www.artsuitesgallery.com
artists / BSA : http://selectedartists.com/
installation view, Art Suites Gallery, Istanbul -
KOMMEN SIE NACH HAUSE
opening 15.03.2013
15.03.2013 -17.03.2013
address:Â www.kommensienachhause.de
Steff Adams, Gereonswall, 27a,
50668 Cologne, Germany
Goethe-Institut Ghana,
30 Kakramadu Road, next to NAFTI P.M.B. 52Â – Cantonments Accra, GhanaGroupshow: Achim Mohné, Agii Gosse, Andrea Imwiehe, Andrea Thierbach, Angelika Stienecke, Anja Lenze, Anja Matzerath, Anja Z Gna, Anne Wölk, Annette Reichardt, Astrid Jahns, Barbara Deblitz, Bettina Borgmann, Britta Schopf, Carola Willbrand, Christa Niestrath, Christina Stohn, Christoph Medicus, Cornelia Effner, Donald Lessau, Dorothee Schäfer, Elena Schneider, Elke Schneider, Ellen Muck, Elmar Mauch, Eric Straub, Esther Kusche, Eugenio Ortiz, Eva und Benita Tauer, Florian Froese-Peeck, Florian Littke, Friederike Huft, Gabriela Bauerer, Gudrun F. Widlok, Harald Busch, Harvey Benge, Heike van Bentum, Horst Hahn, Ina Vermehr, Inger Dahle Klocke, Irma Jeckel, Jakob Kampert, Jens Stohn, Julia Horn, Karl-Heinz Mauermann, Kathrin Rabenort, Katja Struif, Klaus Brüggenwerth, Kristian Dahle Klocke, L. Kunz, Laas Abendroth, Linda Weiss, Lisa Haselbeck, Manuela Krekeler-Marx, Marc Met, Marc Peschke, Marc Volk, Maria Berg, Maria Jauregui Ponte, Martin Zellerhof, Matthijs Muller, Meinolf Koessmeier, Michael Kampert, Midori Mitamura, Natalie Aschenbroich, Natascha Sonnenschein, Nii Nortey, Odine Lang, Patrick Essex, Petra Ried, Pit Goertz, Rainer Kiel, Ralf Hennerici, Ralf Witthaus, Regine Strehlow-Lorenz, Reiner Zitta, Ruth Knecht, Sabine Knappe, Sabrina Rothe, Sarah Sperling, Sarah Stienecke, Sonja Karle, Sonja Kuprat, Stefan Meichtry, Stefanie C. Zürn, Steff Adams, Stewens Ragone, Susanne Greven, Sybill Kalff, Thomas Zydek, Tilman Lothspeich, Tim Eiag, Tim Fischer Triloff, Ulli Roedder, Uwe Ahlgrimm, Volker Frechen, Wolfgang Bellwinkel, Wolfgang Bous, Wolfgang Vollmer, Yvonne Diefenbach.
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